Mr. Sammler Planet

  Mr. Sammler Planet

  Saul Bellow

  Mr. Sammler's Planet

  by Saul Bellow

  I

  Shortly after dawn, or what would have been dawn in a normal sky, Mr. Artur Sammler with his bushy eye took in the books and papers of his West Side bedroom and suspected strongly that they were the wrong books, the wrong papers. In a way it did not matter much to a man of seventy-plus, and at leisure. You had to be a crank to insist on being right. Being right was largely a matter of explanations. Intellectual man had become an explaining creature. Fathers to children, wives to husbands, lecturers to listeners, experts to laymen, colleagues to colleagues, doctors to patients, man to his own soul, explained. The roots of this, the causes of the other, the source of events, the history, the structure, the reasons why. For the most part, in one ear out the other. The soul wanted what it wanted. It had its own natural knowledge. It sat unhappily on superstructures of explanation, poor bird, not knowing which way to fly.

  The eye closed briefly. A Dutch drudgery, it occurred to Sammler, pumping and pumping to keep a few acres of dry ground. The invading sea being a metaphor for the multiplication of facts and sensations. The earth being an earth of ideas.

  He thought, since he had no job to wake up to, that he might give sleep a second chance to resolve certain difficulties imaginatively for himself, and pulled up the disconnected electric blanket with its internal sinews and lumps. The satin binding was nice to the finger tips. He was still drowsy, but not really inclined to sleep. Time to be conscious.

  He sat and plugged in the electric coil. Water had been prepared at bedtime. He liked to watch the changes of the ashen wires. They came to life with fury, throwing tiny sparks and sinking into red rigidity under the Pyrex laboratory flask. Deeper. Blenching. He had only one good eye. The left distinguished only light and shade. But the good eye was dark-bright, full of observation through the overhanging hairs of the brow as in some breeds of dog. For his height he had a small face. The combination made him conspicuous.

  His conspicuousness was on his mind; it worried him. For several days, Mr. Sammler returning on the customary bus late afternoons from the Forty-second Street Library had been watching a pickpocket at work. The man got on at Columbus Circle. The job, the crime, was done by Seventy-second Street. Mr. Sammler if he had not been a tall straphanger would not with his one good eye have seen these things happening. But now he wondered whether he had not drawn too close, whether he had also been seen seeing. He wore smoked glasses, at all times protecting his vision, but he couldn't be taken for a blind man. He didn't have the white cane, only a furled umbrella, British-style. Moreover, he didn't have the look of blindness. The pickpocket himself wore dark shades. He was a powerful Negro in a camel's-hair coat, dressed with extraordinary elegance, as if by Mr. Fish of the West End, or Turnbull and Asser of Jermyn Street. (Mr. Sammler knew his London.) The Negro's perfect circles of gentian violet banded with lovely gold turned toward Sammler, but the face showed the effrontery of a big animal. Sammler was not timid, but he had had as much trouble in life as he wanted. A good deal of this, waiting for assimilation, would never be accommodated. He suspected the criminal was aware that a tall old white man (passing as blind?) had observed, had seen the minutest details of his crimes. Staring down. As if watching open-heart surgery. And though he dissembled, deciding not to turn aside when the thief looked at him, his elderly, his compact, civilized face colored strongly, the short hairs bristled, the lips and gums were stinging. He felt a constriction, a clutch of sickness at the base of the skull where the nerves, muscles, blood vessels were tightly interlaced. The breath of wartime Poland passing over the damaged tissues-that nerve-spaghetti, as he thought of it.

  Buses were bearable, subways were killing. Must he give up the bus? He had not minded his own business as a man of seventy in New York should do. It was always Mr. Sammler's problem that he didn't know his proper age, didn't appreciate his situation, unprotected here by position, by privileges of remoteness made possible by an income of fifty thousand in New York-club membership, taxis, doormen, guarded approaches. For him it was the buses, or the grinding subway, lunch at the automat. No cause for grave complaint, but his years as an "Englishman," two decades in London as correspondent for Warsaw papers and journals, had left him with attitudes not especially useful to a refugee in Manhattan. He had developed expressions suited to an Oxford common room; he had the face of a British Museum reader. Sammler as a schoolboy in Cracow before World War I fell in love with England. Most of that nonsense had been knocked out of him. He had reconsidered the whole question of Anglophilia, thinking skeptically about Salvador de Madariaga, Marco Praz, Andrй Maurois and Colonel Bramble. He knew the phenomenon. Still, confronted by the elegant brute in the bus he had seen picking a purse-the purse still hung open-he adopted an English tone. A dry, a neat, a prim face declared that one had not crossed anyone's boundary; one was satisfied with one's own business. But under the high armpits Mr. Sammler was intensely hot, wet; hanging on his strap, sealed in by bodies, receiving their weight and laying his own on them as the fat tires took the giant curve at Seventy-second Street with a growl of flabby power.

  He didn't in fact appear to know his age, or at what point of life he stood. You could see that in his way of walking. On the streets, he was tense, quick, erratically light and reckless, the elderly hair stirring on the back of his head. Crossing, he lifted the rolled umbrella high and pointed to show cars, buses, speeding trucks, and cabs bearing down on him the way he intended to go. They might run him over, but he could not help his style of striding blind.

  With the pickpocket we were in an adjoining region of recklessness. He knew the man was working the Riverside bus. He had seen him picking purses, and he had reported it to the police. The police were not greatly interested in the report. It had made Sammler feel like a fool to go immediately to a phone booth on Riverside Drive. Of course the phone was smashed. Most outdoor telephones were smashed, crippled. They were urinals, also. New York was getting worse than Naples or Salonika. It was like an Asian, an African town, from this standpoint. The opulent sections of the city were not immune. You opened a jeweled door into degradation, from hypercivilized Byzantine luxury straight into the state of nature, the barbarous world of color erupting from beneath. It might well be barbarous on either side of the jeweled door. Sexually, for example. The thing evidently, as Mr. Sammler was beginning to grasp, consisted in obtaining the privileges, and the free ways of barbarism, under the protection of civilized order, property rights, refined technological organization, and so on. Yes, that must be it.

  Mr. Sammler ground his coffee in a square box, cranking counterclockwise between long knees. To commonplace actions he brought a special pedantic awkwardness. In Poland, France, England, students, young gentlemen of his time, had been unacquainted with kitchens. Now he did things that cooks and maids had once done. He did them with a certain priestly stiffness. Acknowledgment of social descent. Historical ruin. Transformation of society. It was beyond personal humbling. He had gotten over those ideas during the war in Poland-utterly gotten over all that, especially the idiotic pain of losing class privileges. As well as he could with one eye, he darned his own socks, sewed his buttons, scrubbed his own sink, winter-treated his woolens in the spring with a spray can. Of course there were ladies, his daughter, Shula, his niece (by marriage), Margotte Arkin, in whose apartment he lived. They did for him, when they thought of it. Sometimes they did a great deal, but not dependably, routinely. The routines he did himself. It was conceivably even part of his youthfulness-youthfulness sustained with certain tremors. Sammler knew these tremors. It was amusing-Sammler noted in old women wearing textured tights, in old sexual men, this quiver of v
ivacity with which they obeyed the sovereign youth-style. The powers are the powers.-overlords, kings, gods. And of course no one knew when to quit. No one made sober decent terms with death.

  The grounds in the little drawer of the mill he held above the flask. The red coil went deeper, whiter, white. The kinks had tantrums. Beads of water flashed up. Individually, the pioneers gracefully went to the surface. Then they all seethed together. He poured in the grounds. in his cup, a lump…" they all seethed together. He poured in the grounds. in his cup, a lump of sugar, a dusty spoonful of Pream. In the night table he kept a bag of onion rolls from Zabar's. They were in plastic, a transparent uterine bag fastened with a white plastic clip. The night table, copper- lined, formerly a humidor, kept things fresh. It had belonged to Margotte's husband, Ussher Arkin. Arkin, killed three years ago in a plane crash, a good man, was missed, was regretted, mourned by Sammler. When he was invited by the widow to occupy a bedroom in the large apartment on West Ninetieth Street, Sammler asked to have Arkin's humidor in his room. Sentimental herself, Margotte said, "Of course, Uncle. What a nice thought. You did love Ussher." Margotte was German, romantic. Sammler was something else. He was not even her uncle. She was the niece of his wife, who had died in Poland in 1940. His late wife. The widow's late aunt. Wherever you looked, or tried to look, there were the late. It took some getting used to.

  Grapefruit juice he drank from a can with two triangular punctures kept on the window sill. The curtain parted as he reached and he looked out. Brownstones, balustrades, bay windows, wrought iron. Like stamps in an album-the dun rose of buildings canceled by the heavy black of grilles, of corrugated rainspouts. How very heavy human life was here, in forms of bourgeois solidity. Attempted permanence was sad. We were now flying to the moon. Did one have a right to private expectations, being like those bubbles in the flask? But then also people exaggerated the tragic accents of their condition. They stressed too hard the disintegrated assurances; what formerly was believed, trusted, was now bitterly circled in black irony. The rejected bourgeois black of stability thus translated. That too was improper, incorrect. People justifying idleness, silliness, shallowness, distemper, lust-turning former respectability inside out.

  Such was Sammler's eastward view, a soft asphalt belly rising, in which lay steaming sewer navels. Spalled sidewalks with clusters of ash cans. Brownstones. The yellow brick of elevator buildings like his own. Little copses of television antennas. Whiplike, graceful thrilling metal dendrites drawing images from the air, bringing brotherhood, communion to immured apartment people. Westward the Hudson came between Sammler and the great Spry Industries of New Jersey. These flashed their electric message through intervening night. SPRY. But then he was half blind.

  In the bus he had been seeing well enough. He saw a crime committed. He reported it to the cops. They were not greatly shaken. He might then have stayed away from that particular bus, but instead he tried hard to repeat the experience. He went to Columbus Circle and hung about until he saw his man again. Four fascinating times he had watched the thing done, the crime, the first afternoon staring down at the masculine hand that came from behind lifting the clasp and tipping the pocketbook lightly to make it fall open. Sammler saw a polished Negro forefinger without haste, with no criminal tremor, turning aside a plastic folder with Social Security or credit cards, emery sticks, a lipstick capsule, coral paper tissues, nipping open the catch of a change purse-and there lay the green of money. Still at the same rate, the fingers took out the dollars. Then with the touch of a doctor on a patient's belly the Negro moved back the slope leather, turned the gilded scallop catch. Sammler, feeling his head small, shrunk with strain, the teeth tensed, still was looking at the patent leather bag riding, picked, on the woman's hip, finding that he was irritated with her. That she felt nothing. What an idiot) Going around with some kind of stupid mold in her skull. Zero instincts, no grasp of New York. While the man turned from her, broad-shouldered in the carvers-hair coat. The dark glasses, the original design by Christian Dior, a powerful throat banded by a tab collar and a cherry silk necktie spouting out. Under the African nose, a cropped mustache. Ever so slightly inclining toward him, Sammler believed he could smell French perfume from the breast of the camel's-hair coat. Had the man noticed him then? Had he perhaps followed him home? Of this Sammler was not sure.

  He didn't give a damn for the glamour, the style, the art of criminals. They were no social heroes to him. He had had some talks on this very matter with one of his younger relations, Angela Gruner, the daughter of Dr. Arnold Gruner in New Rochelle, who had brought him over to the States in 1947, digging him out of the DP camp in Salzburg. Because Arnold (Elya) Gruner had Old World family feelings. And studying the lists of refugees in the Yiddish papers, he had found the names Artur and Shula Sammler. Angela, who was in Sammler's neighborhood several times a week because her psychiatrist was just around the corner, often stopped in for a visit. She was one of those handsome, passionate, rich girls who were always an important social and human category. A bad education. In literature, mostly French. At Sarah Lawrence College. And Mr. Sammler had to try hard to remember the Balzac he had read in Cracow in 1913. Vautrin the escaped criminal. From the hulks. Trompe-la-mort. No, he didn't have much use for the romance of the outlaw. Angela sent money to defense funds for black murderers and rapists. That was her business of course.

  However, Mr. Sammler had to admit that once he had seen the pickpocket at work he wanted very much to see the thing again. He didn't know why. It was a powerful event, and illicitly-that is, against his own stable principles-he craved a repetition. One detail of old readings he recalled without effort the moment in Crime and Punishment at which Raskolnikov brought down the ax on the bare head of the old woman, her thin gray-streaked grease-smeared hair, the rat's-tall braid fastened by a broken horn comb on her neck. That is to say that horror, crime, murder, did vivify all the phenomena, the most ordinary details of experience. In evil as in art there was illumination. It was, of course, like the tale by Charles Lamb, burning down a house to roast a pig. Was a general conflagration necessary? All you needed was a controlled fire in the right place. Still, to ask everyone to refrain from setting fires until the thing could be done in the right place, in a higher manner, was possibly too much. And while Sammler, getting off the bus, intended to phone the police, he nevertheless received from the crime the benefit of an enlarged vision. The air was brighter-late afternoon, daylight-saving time. The world, Riverside Drive, was wickedly lighted up. Wicked because the clear light made all objects so explicit, and this explicitness taunted Mr. Minutely-Observant Artur Sammler. All metaphysicians please note. Here is how it is. You will never see more clearly. And what do you make of it? This phone booth has a metal floor; smooth-hinged the folding green doors, but the floor is smarting with dry urine, the plastic telephone instrument is smashed, and a stump is hanging at the end of the cord.

  Not in three blocks did he find a phone he could safely put a dime into, and so he went home. In his lobby the building management had set up a television screen so that the doorman could watch for criminals. But the doorman was always off somewhere. The buzzing rectangle of electronic radiance was vacant. Underfoot was the respectable carpet, brown as gravy. The inner gate of the elevator, supple brass diamonds folding, grimy and gleaming. Sammler went into the apartment and sat on the sofa in the foyer, which Margotte had covered with large squares of Woolworth bandannas, tied at the corners and pinned to the old cushions. He dialed the police and said, "I want to report a crime."

  "What kind of crime?"

  "A pickpocket."

  "Just a minute, I'll connect you."

  There was a long buzz. A voice toneless with indifference or fatigue said, "Yes."

  Mr. Sammler in his foreign Polish Oxonian English tried to be as compressed, direct, and factual as possible. To save time. To avoid complicated interrogation, needless detail.

  "I wish to report a pickpocket on the Riverside bus."

 
; "Sir?"

  "O. K. I said O. K., report."

  "A Negro, about six feet tall, about two hundred pounds, about thirty-five years old, very good-looking, very well dressed."

  "O. K."

  "I thought I should call in."

  "O. K."

  "Are you going to do anything?"

  "We're supposed to, aren't we? What's your name?"

  "Artur Sammler."

  "All right, Art. Where do you live?"

  "Dear sir, I will tell you, but I am asking what you intend to do about this man."

  "What do you think we should do?"

  "Arrest him."

  "We have to catch him first."

  "You should put a man on the bus."

  "We haven't got a man to put on the bus. There are lots of buses, Art, and not enough men. Lots of conventions, banquets, and so on we have to cover, Art. VIPs and Brass. There are lots of ladies shopping at Lord and Taylor, Bonwit's, and Saks', leaving purses on chairs while they go to feel the goods."

  "I understand. You don't have the personnel, and there are priorities, political pressures. But I could point out the man."

  "Some other time."

  "You don't want him pointed out?"

  "Sure, but we have a waiting list."

  "I have to get on your list?"

  "That's right, Abe."

  "Artur."

  "Arthur."

  Tensely sitting forward in bright lamplight, Artur Sammler like a motorcyclist who has been struck in the forehead by a pebble from the road, trivially stung, smiled with long lips. America! (be was speaking to himself). Advertised throughout the universe as the most desirable, most exemplary of all nations.

  "Let me make sure I understand you, officer-mister detective. This man is going to rob more people, but you aren't going to do anything about it. Is that right?"